E quando o tempo se imobiliza durante três anos? E quando se
arrumam projetos, na incerteza de os concretizar? E quando se parte, sem se
saber do regresso? E quando se pendura a vida no cabide do dever?
A nossa história foi passando por estas perguntas. E tem
todas as categorias da narrativa: um protagonista – Paulo Camacho; um tempo –
1969-1971; um espaço – Angola; e a ação – guerra do Ultramar.
Em 40 minutos de conversa, passaram palavras e silêncios, passaram
emoções e opiniões, passaram sorrisos e angústias. Falou-se da inevitabilidade
da partida,
- Eu sabia que ia ser mobilizado.
Quando partiu, em 1969, já se
questionava aquela guerra, a JOC, de uma forma velada, tinha um papel na
consciencialização da juventude. Que guerra era aquela? Para quê? Para quem?
Que interesses estavam atrás daquele dever?
- Mas então? Era ir ou desertar.
Falou-se das cartas, das notícias “trabalhadas” dos jornais;
falou-se do medo e das dicas dos que já conheciam os segredos da guerra;
falou-se de gestão de tempo e de emoções; falou-se da noiva que ficara à
espera:
- eu não precisava de madrinha de guerra. Tinha quem me
escrevesse.
A conversa levou-nos, então, para o campo de batalha, dos
laços que uniam todos os homens da companhia, da desconfiança dos nativos, das
traições, das “fogueirinhas” que a noite do mato denunciava. Conta do “inimigo
“e dos movimentos que era preciso combater.
Trouxe-nos um “troféu de guerra”, com vestígios de morte:
- Nesse dia, matámos….
E a dor do verbo há-de doer-lhe
para sempre. A lembrança:
- ou eles ou nós.
Com emoção – nas mãos e na voz – faz desfilar os retratos e
lê as notas que a memória guardou.
- Não podíamos ganhar aquela guerra. Estávamos isolados do
resto do mundo. Tínhamos armas obsoletas. Eles (os que mandavam) não entenderam
os sinais, nem os exemplos dos outros.
Era uma guerra com prazo.
Depois, foi
recomeçar. Carregando o passado. E as lembranças. E as dores. E as sequelas. E.
“We did our job”
And if time
had stood still for 3 years? And if all the projects and dreams of a life had
to be postponed or eventually put aside? And what do you feel when you have to
leave without knowing whether you would ever come back? And what do you feel
when you had no other choice?
Today’s
story was based on all of these questions and it can be presented as a
narrative: it has a main character- Paulo Camacho; a period of time –
1969-1971, a place – Angola, and a plot – the war at Overseas Portugal.
We had a 40
minutes’ conversation full of words and silences, emotions, opinions, smiles,
tears and pain. He talked about the mobilisation. It was compulsory. There was
no choice,
-
I
knew they were going to call me.
When he
left, back in 1969 the war was already being questioned, and the JOC, although
unveiled, tried to convince the young men to join the army and defend the
motherland. But what kind of war was that, after all? What were these men
fighting for? What interests were behind all of this?
-
The
only possibility was to go. The other was to runaway.
He talked
about the correspondence; the “fabricated” news for the local papers; the fear
and advice from those who had more experience; he talked about how they spend
the time and how they learned to hide emotions; and the longings… and of the
bride who was expecting his comeback;
-
I
did not need to write to a war godmother. I received letters from my bride.
Then,
conversation turned into the battle field. He remembered the bonds between the
soldiers, the feeling of suspicion, and the double-dealings. He recalled the
little fires lighted in the jungle that immediately gave them away. He told
about the “enemy” and how they fight.
He shared a
“war trophy”, tainted with blood:
-
People
were killed that day …
And this hurtful memory has never gone away. It
is always here… and he explains:
-
You
had to protect yourself.
With
trembling hands and voice he showed us old photos and notes kept during all
these years.
-
There
was no chance of winning the war. We were isolated. We were abandoned and our
guns were outdated. Those who were in charge did not understand this, or even
the past examples. This war had a deadline.
Later I had
to start all over again. I had to learn to live with the past… with these
terrible memories… with this pain… with all the transformations it caused in my
life.
-
However,
I am here. Safe and sound!
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